As you go up the levels there are more such "tagging calls" introduced, as well as more "endings". For example, at C-2 the ending "Your Neighbor" is added, meaning to do the tagging action to the 1/2 tag position and then do a Follow Your Neighbor.
But what you should be learning at C-1 is the general idea — once you understand that, you can apply it to any combination. (For a list of some possible combinations, see the chart below under "Tagging Call Combinations".
If this is modified by adding a fraction, only part of the Double Pass Thru is done. Each quarter corresponds to one Extend, with four Extends being the equivalent of a full Double Pass Thru.
These actions are done by a group of four dancers, but it is very common for two groups of four dancers to be doing the double pass thru action side-by-side. Reminder: If two groups are doing this side-by-side and they end in a 1/4 tag or 3/4 tag position, the end dancers from each group stand side-by-side as a couple.
Each side of the box can start in any of these possible configurations. For example, both sides can be couples facing in, or one side can be a left-handed mini-wave and the other a right-handed mini-wave. But the most important thing, no matter what kind of box you are in, is to identify the box!
This is the aspect that most often confuses people — they try to do the action in their line or they don't recognize fast enough in a column-oriented 2x4 that it has to happen on each side (and that they should stay on their side). And if someone has trouble with those relatively simple cases they will likely get completely lost if a concept like Siamese or Concentric is applied.
And it doesn't help that the "full name" of this call is "Vertical Tag the Line". That sure makes it sound like it has something to do with your line. But it doesn't!
The most important thing is to identify your box, and realize that everybody is going to be doing the tagging action either in the direction toward which they were already facing or behind them, not to the left or right. This is the "vertical" part of it.
If you are facing into the box you are already facing the direction you have to go, while if you are facing out of the box you have to turn around (180 degrees). Once you see that, there are really only two possibilities remaining to account for all of the ways that the individual dancers could be facing: if you are in a mini-wave, the person already facing in that direction goes first. If you are in a couple, the belle goes first.
type of pair | traditional definition | unified rule |
couple facing in | 1/2 Half Sashay | leaders U-Turn Back, trailers don't original belle goes first |
couple facing out | Single Wheel | |
right-handed mini-wave | leader folds behind trailer | leaders U-Turn Back, trailers don't original trailer goes first |
left-handed mini-wave | leader folds behind trailer |
Note that regardless of how the dancers start, the double pass thru action is done with right shoulders. So the result of "Vertical 1/2 Tag" is always a right-handed box,
Note that in both Tag the Line and Flip the Line the tagging direction is "horizontal" — everybody ends up doing the double pass thru action to either the left or right from their original facing direction. The difference between these two calls is who becomes the leader. In Tag the Line, the original center becomes the leader, while in Flip the Line the original end becomes the leader.
Flip the Line also has one other distinctive feature: The passing shoulder for the double pass thru action depends on the handedness of the original wave. If the original wave was right-handed, the dancers all pass right shoulders. If the original wave was left-handed, then they all pass left shoulders. This then determines the handedness of any intermediate formation that results when fewer than four Extends are done. In particular, "Flip the Line 1/2" from a right-handed wave results in a right-handed box, while "Flip the Line 1/2" from a left-handed wave results in a left-handed box.
Note: The action of Flip the Line 1/2, from a wave of either handedness, is the same as the action of 2/3 Recycle from a wave of the same handedness. Even though these two calls have completely different definitions, the resulting positions of all the dancers are the same, and the path they follow to get there is the same. There is however a difference with respect to rolling direction. After a Flip the Line 1/2, nobody can roll because the last action was an Extend. After a 2/3 Recycle, everybody can Roll because the last action was a Box Counter Rotate. (Adding Roll to 2/3 Recycle makes it a complete Recycle.)
full name of tagging call | combining form | "Back" combination |
Tag the Line | Tag | Tag Back |
Vertical Tag (the Line) | Vertical Tag | Vertical Tag Back |
Flip the Line | Flip | Flip Back |
There is one very annoying "gotcha" about the "Back" ending. When this idea was first introduced, the way callers said it was "Tag Back to a Wave" (because if you start in any kind of parallel lines you end up in parallel waves). It is still listed that way in the official CALLERLAB definitions document, and a lot of callers still call it that way — while other callers will just say "Tag Back".
Unfortunately, the phrase "to a Wave" is way overloaded (consider, e.g., "Dosado to a Wave" or "Single Circle to a Wave"), and in particular at C-1 it starts being used as a general modifier to mean "don't do the final step thru or extend".
So if "Tag Back" means do a 1/2 Tag and then a Scoot Back, what does "Tag Back to a Wave" mean? No, unfortunately, it does not mean do a 1/2 Tag, and then Scoot Back but don't do the final extend. Because of that historical usage, "Tag Back" and "Tag Back to a Wave" mean exactly the same thing! To indicate the other possibility, that you should not do the final extend, the caller is required to say either "Tag Back to a Wave to a Wave" or "Tag Back, Centers to a Wave".
"Left" is not used with Flip the Line since which shoulder to pass is already determined by the handedness of the original wave.
For Vertical Tag, adding "Left" in front switches both the handedness of the inital action for dancers who start in couples (the original beau goes first) and which shoulder to pass.
The following table illustrates how this works, showing all of the combinations used at C-1 along with some samples of ones used in other programs. The base tagging calls are listed across the top, and various partial or combination actions along the left side, with what the caller would actually say shown in the intersecting cell. In some cases there is more than one way to say it, but only one relatively common way is shown.
The combinations shown with a gray background are not considered proper at C-1, and you do not need to be able to recognize them. They are just included here to show how the overall scheme works. In particular, the last few lines show how (at high Challenge levels) some very compact phrases are used to direct some pretty complex overall actions.
The specific combination "Chase Your Neighbor" is something of an anomaly. The ending "Your Neighbor" is not introduced until C-2, and the tagging call "Chase the Tag" is not introduced until C-3B, but "Chase Your Neighbor" is defined as a separate call on the C-1 list. And although "Chase Your Cross Neighbor" is not on the C-1 list, because it falls naturally out of this overall scheme you might hear it anyway, even at C-1.
Double Pass Thru | Tag the Line | Vertical Tag | Flip the Line | Chase the Tag | |
combining form (prefix) | Double Pass | Tag | Vertical Tag | Flip | Chase |
full tag action | Double Pass Thru | Tag the Line | Vertical Tag the Line | Flip the Line | Chase the Tag |
to 1/4 tag | Extend | 1/4 Tag (the Line) | Vertical 1/4 Tag | Flip the Line 1/4 | Chase the 1/4 Tag |
to 1/2 tag | Extend Twice | 1/2 Tag (the Line) | Vertical 1/2 Tag | Flip the Line 1/2 | Chase the 1/2 Tag |
to 3/4 tag | Extend Three Times | 3/4 Tag (the Line) | Vertical 3/4 Tag | Flip the Line 3/4 | Chase the 3/4 Tag |
to 1/2 tag, then Scoot Back |
Double Pass Back | Tag Back | Vertical Tag Back | Flip Back | Chase Back |
to 1/2 tag, then Follow Your Neighbor |
Double Pass Your Neighbor | Tag Your Neighbor | Vertical Tag Your Neighbor | Flip Your Neighbor | Chase Your Neighbor |
to 1/2 tag, then Cross Your Neighbor |
Double Pass Your Cross Neighbor | Tag Your Cross Neighbor | Vertical Tag Your Cross Neighbor | Flip Your Cross Neighbor | Chase Your Cross Neighbor |
to 1/2 tag, then Criss Cross Your Neighbor [C-2] |
Double Pass Your Criss Cross Neighbor | Tag Your Criss Cross Neighbor | Vertical Tag Your Criss Cross Neighbor | Flip Your Criss Cross Neighbor | Chase Your Criss Cross Neighbor |
to 1/2 tag, then Follow Your Leader [C-3A] |
Double Pass Your Leader | Tag Your Leader | Vertical Tag Your Leader | Flip Your Leader | Chase Your Leader |
to 1/2 tag, then Scoot Chain Thru |
Double Pass Chain Thru | Tag Chain Thru | Vertical Tag Chain Thru | Flip Chain Thru | Chase Chain Thru |
to 1/2 tag, then Scoot Back centers to a wave, then Chain Reaction |
Double Pass Reaction | Tag Reaction | Vertical Tag Reaction | Flip Reaction | Chase Reaction |
to 1/2 tag, then 1/2 Circulate, then ends Trade while centers Spin the Top |
Double Pass the Top | Tag the Top | Vertical Tag the Top | Flip the Top | Chase the Top |